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swift-justhtml

19 décembre 2025 à 00:57

swift-justhtml

First there was Emil Stenström's JustHTML in Python, then my justjshtml in JavaScript, then Anil Madhavapeddy's html5rw in OCaml, and now Kyle Howells has built a vibespiled dependency-free HTML5 parser for Swift using the same coding agent tricks against the html5lib-tests test suite.

Kyle ran some benchmarks to compare the different implementations:

  • Rust (html5ever) total parse time: 303 ms
  • Swift total parse time: 1313 ms
  • JavaScript total parse time: 1035 ms
  • Python total parse time: 4189 ms

Tags: html5, ai, generative-ai, llms, ai-assisted-programming, vibe-coding, swift

JustHTML is a fascinating example of vibe engineering in action

14 décembre 2025 à 16:59

I recently came across JustHTML, a new Python library for parsing HTML released by Emil Stenström. It's a very interesting piece of software, both as a useful library and as a case study in sophisticated AI-assisted programming.

First impressions of JustHTML

I didn't initially know that JustHTML had been written with AI assistance at all. The README caught my eye due to some attractive characteristics:

  • It's pure Python. I like libraries that are pure Python (no C extensions or similar) because it makes them easy to use in less conventional Python environments, including Pyodide.
  • "Passes all 9,200+ tests in the official html5lib-tests suite (used by browser vendors)" - this instantly caught my attention! HTML5 is a big, complicated but meticulously written specification.
  • 100% test coverage. That's not something you see every day.
  • CSS selector queries as a feature. I built a Python library for this many years ago and I'm always interested in seeing new implementations of that pattern.
  • html5lib has been inconsistently maintained over the last few years, leaving me interested in potential alternatives.
  • It's only 3,000 lines of implementation code (and another ~11,000 of tests.)

I was out and about without a laptop so I decided to put JustHTML through its paces on my phone. I prompted Claude Code for web on my phone and had it build this Pyodide-powered HTML tool for trying it out:

Screenshot of a web app interface titled "Playground Mode" with buttons labeled "CSS Selector Query" (purple, selected), "Pretty Print HTML", "Tree Structure", "Stream Events", "Extract Text", and "To Markdown" (all gray). Below is a text field labeled "CSS Selector:" containing "p" and a green "Run Query" button. An "Output" section with dark background shows 3 matches in a green badge and displays HTML code

This was enough for me to convince myself that the core functionality worked as advertised. It's a neat piece of code!

Turns out it was almost all built by LLMs

At this point I went looking for some more background information on the library and found Emil's blog entry about it: How I wrote JustHTML using coding agents:

Writing a full HTML5 parser is not a short one-shot problem. I have been working on this project for a couple of months on off-hours.

Tooling: I used plain VS Code with Github Copilot in Agent mode. I enabled automatic approval of all commands, and then added a blacklist of commands that I always wanted to approve manually. I wrote an agent instruction that told it to keep working, and don't stop to ask questions. Worked well!

Emil used several different models - an advantage of working in VS Code Agent mode rather than a provider-locked coding agent like Claude Code or Codex CLI. Claude Sonnet 3.7, Gemini 3 Pro and Claude Opus all get a mention.

Vibe engineering, not vibe coding

What's most interesting about Emil's 17 step account covering those several months of work is how much software engineering was involved, independent of typing out the actual code.

I wrote about vibe engineering a while ago as an alternative to vibe coding.

Vibe coding is when you have an LLM knock out code without any semblance of code review - great for prototypes and toy projects, definitely not an approach to use for serious libraries or production code.

I proposed "vibe engineering" as the grown up version of vibe coding, where expert programmers use coding agents in a professional and responsible way to produce high quality, reliable results.

You should absolutely read Emil's account in full. A few highlights:

  1. He hooked in the 9,200 test html5lib-tests conformance suite almost from the start. There's no better way to construct a new HTML5 parser than using the test suite that the browsers themselves use.
  2. He picked the core API design himself - a TagHandler base class with handle_start() etc. methods - and told the model to implement that.
  3. He added a comparative benchmark to track performance compared to existing libraries like html5lib, then experimented with a Rust optimization based on those initial numbers.
  4. He threw the original code away and started from scratch as a rough port of Servo's excellent html5ever Rust library.
  5. He built a custom profiler and new benchmark and let Gemini 3 Pro loose on it, finally achieving micro-optimizations to beat the existing Pure Python libraries.
  6. He used coverage to identify and remove unnecessary code.
  7. He had his agent build a custom fuzzer to generate vast numbers of invalid HTML documents and harden the parser against them.

This represents a lot of sophisticated development practices, tapping into Emil's deep experience as a software engineer. As described, this feels to me more like a lead architect role than a hands-on coder.

It perfectly fits what I was thinking about when I described vibe engineering.

Setting the coding agent up with the html5lib-tests suite is also a great example of designing an agentic loop.

"The agent did the typing"

Emil concluded his article like this:

JustHTML is about 3,000 lines of Python with 8,500+ tests passing. I couldn't have written it this quickly without the agent.

But "quickly" doesn't mean "without thinking." I spent a lot of time reviewing code, making design decisions, and steering the agent in the right direction. The agent did the typing; I did the thinking.

That's probably the right division of labor.

I couldn't agree more. Coding agents replace the part of my job that involves typing the code into a computer. I find what's left to be a much more valuable use of my time.

Tags: html, python, ai, generative-ai, llms, ai-assisted-programming, vibe-coding, coding-agents

GPT-5.2

12 décembre 2025 à 00:58

OpenAI reportedly declared a "code red" on the 1st of December in response to increasingly credible competition from the likes of Google's Gemini 3. It's less than two weeks later and they just announced GPT-5.2, calling it "the most capable model series yet for professional knowledge work".

Key characteristics of GPT-5.2

The new model comes in two variants: GPT-5.2 and GPT-5.2 Pro. There's no Mini variant yet.

GPT-5.2 is available via their UI in both "instant" and "thinking" modes, presumably still corresponding to the API concept of different reasoning effort levels.

The knowledge cut-off date for both variants is now August 31st 2025. This is significant - GPT 5.1 and 5 were both Sep 30, 2024 and GPT-5 mini was May 31, 2024.

Both of the 5.2 models have a 400,000 token context window and 128,000 max output tokens - no different from 5.1 or 5.

Pricing wise 5.2 is a rare increase - it's 1.4x the cost of GPT 5.1, at $1.75/million input and $14/million output. GPT-5.2 Pro is $21.00/million input and a hefty $168.00/million output, putting it up there with their previous most expensive models o1 Pro and GPT-4.5.

So far the main benchmark results we have are self-reported by OpenAI. The most interesting ones are a 70.9% score on their GDPval "Knowledge work tasks" benchmark (GPT-5 got 38.8%) and a 52.9% on ARC-AGI-2 (up from 17.6% for GPT-5.1 Thinking).

The ARC Prize Twitter account provided this interesting note on the efficiency gains for GPT-5.2 Pro

A year ago, we verified a preview of an unreleased version of @OpenAI o3 (High) that scored 88% on ARC-AGI-1 at est. $4.5k/task

Today, we’ve verified a new GPT-5.2 Pro (X-High) SOTA score of 90.5% at $11.64/task

This represents a ~390X efficiency improvement in one year

GPT-5.2 can be accessed in OpenAI's Codex CLI tool like this:

codex -m gpt-5.2

There are three new API models:

  • gpt-5.2 - I think this is what you get if you select "GPT-5.2 Thinking" in ChatGPT but I'm a little confused.
  • gpt-5.2-chat-latest - the model used by ChatGPT for "GPT-5.2 Instant" mode. It's priced the same as GPT-5.2 but has a reduced 128,000 context window with 16,384 max output tokens.
  • gpt-5.2-pro

OpenAI have published a new GPT-5.2 Prompting Guide. An interesting note from that document is that compaction can now be run with a new dedicated server-side API:

For long-running, tool-heavy workflows that exceed the standard context window, GPT-5.2 with Reasoning supports response compaction via the /responses/compact endpoint. Compaction performs a loss-aware compression pass over prior conversation state, returning encrypted, opaque items that preserve task-relevant information while dramatically reducing token footprint. This allows the model to continue reasoning across extended workflows without hitting context limits.

It's better at vision

One note from the announcement that caught my eye:

GPT‑5.2 Thinking is our strongest vision model yet, cutting error rates roughly in half on chart reasoning and software interface understanding.

I had disappointing results from GPT-5 on an OCR task a while ago. I tried it against GPT-5.2 and it did much better:

llm -m gpt-5.2 ocr -a https://static.simonwillison.net/static/2025/ft.jpeg

Here's the result from that, which cost 1,520 input and 1,022 for a total of 1.6968 cents.

Rendering some pelicans

For my classic "Generate an SVG of a pelican riding a bicycle" test:

llm -m gpt-5.2 "Generate an SVG of a pelican riding a bicycle"

Described by GPT-5.2: Cartoon-style illustration: A white, duck-like bird with a small black eye, oversized orange beak (with a pale blue highlight along the lower edge), and a pink neckerchief rides a blue-framed bicycle in side view; the bike has two large black wheels with gray spokes, a blue front fork, visible black crank/pedal area, and thin black handlebar lines, with gray motion streaks and a soft gray shadow under the bike on a light-gray road; background is a pale blue sky with a simple yellow sun at upper left and two rounded white clouds (one near upper center-left and one near upper right).

And for the more advanced alternative test, which tests instruction following in a little more depth:

llm -m gpt-5.2 "Generate an SVG of a California brown pelican riding a bicycle. The bicycle
must have spokes and a correctly shaped bicycle frame. The pelican must have its
characteristic large pouch, and there should be a clear indication of feathers.
The pelican must be clearly pedaling the bicycle. The image should show the full
breeding plumage of the California brown pelican."

Digital illustration on a light gray/white background with a thin horizontal baseline: a stylized California brown pelican in breeding plumage is drawn side-on, leaning forward and pedaling a bicycle; the pelican has a dark brown body with layered wing lines, a pale cream head with a darker brown cap and neck shading, a small black eye, and an oversized long golden-yellow bill extending far past the front wheel; one brown leg reaches down to a pedal while the other is tucked back; the bike is shown in profile with two large spoked wheels (black tires, white rims), a dark frame, crank and chainring near the rear wheel, a black saddle above the rear, and the front fork aligned under the pelican’s head; text at the top reads "California brown pelican (breeding plumage) pedaling a bicycle".

Update 14th December 2025: I used GPT-5.2 running in Codex CLI to port a complex Python library to JavaScript. It ran without interference for nearly four hours and completed a complex task exactly to my specification.

Tags: ai, openai, generative-ai, llms, llm, pelican-riding-a-bicycle, llm-release, gpt-5

The Personal AI Greenfield

Par : Doc Searls
11 juin 2024 à 15:52

What forms of pAI—personal AI—are Apple, Mozilla, Google, Meta, Microsoft and the rest not doing?

Let’s look at those first two because they’re at the top of the news LIFO buffer.

Apple Intelligence (“coming in beta this fall*“), announced yesterday, will help you with writing and creating images while giving you less lame answers from Siri. (Which they should re-name. Siri is Apple’s Clippy.) It “can draw on larger server-based models, running on Apple silicon, to handle more complex requests for you while protecting your privacy.” The “larger models” will be white-labeled ChatGPT, plus Apple’s own small language models (SLMs).

Mozilla, which got $400+ million a year from Google (for search in the Firefox browser) starting in 2020, announce on June 3 that they will be Building open, private AI with the Mozilla Builders Accelerator. Jive:

This program is designed to empower independent AI and machine learning engineers with the resources and support they need to thrive. It aims to cultivate a more innovative AI ecosystem, and it’s one of Mozilla’s key initiatives to make AI meaningfully impactful — alongside efforts like Mozilla.ai, the Responsible AI Challenge and the Rise25 Awards.

The Mozilla Builders Accelerator’s inaugural theme is local AI, which involves running AI models and applications directly on personal devices like laptops, smartphones, or edge devices rather than depending on cloud-based services…

We chose Local AI as the theme for the Accelerator’s first cohort because it aligns with our core values of privacy, user empowerment, and open source innovation. This method offers several benefits including:

  • Privacy: Data stays on the local device, minimizing exposure to potential breaches and misuse.
  • Agency: Users have greater control over their AI tools and data.
  • Cost-effectiveness: Reduces reliance on expensive cloud infrastructure, lowering costs for developers and users.
  • Reliability: Local processing ensures continuous operation even without internet connectivity.

Looks to me like both of these are Big AI writ small. It’s “local,” not personal. It’s made to serve your needs with what BigAI offers through APIs. It is still essentially AIaaS (AI as a Service), rather than truly personal AI (pAI): personalized more than personal.

That’s also what I see when I read between the lines at Mozilla’s AI job openings. Take platform engineer. This person will (among other things), “assist in managing and orchestrating workloads across multiple cloud providers.” That’s fine. I’m sure true pAIs will do that too. But most of pAI will be more personal than that. It will deal with the mundanities of your everyday life. Not with coughing up answers that can only come from AIaaSes.

The problem with personalizing AI giant offerings is that they are large language models (LLM) trained on everything that can be crawled on the Internet, plus who knows what else. Not on your truly personal stuff. This is why “prompt engineering” worthy of the noun is ” not for anybody:

Prompt engineering is crucial for deploying LLMs but is poorly understood mathematically. We formalize LLM systems as a class of discrete stochastic dynamical systems to explore prompt engineering through the lens of control theory. We investigate the reachable set of output token sequences $R_y(\mathbf x_0)$ for which there exists a control input sequence $\mathbf u$ for each $\mathbf y \in R_y(\mathbf x_0)$ that steers the LLM to output $\mathbf y$ from initial state sequence $\mathbf x_0$. We offer analytic analysis on the limitations on the controllability of self-attention in terms of reachable set, where we prove an upper bound on the reachable set of outputs $R_y(\mathbf x_0)$ as a function of the singular values of the parameter matrices. We present complementary empirical analysis on the controllability of a panel of LLMs, including Falcon-7b, Llama-7b, and Falcon-40b. Our results demonstrate a lower bound on the reachable set of outputs $R_y(\mathbf x_0)$ w.r.t. initial state sequences $\mathbf x_0$ sampled from the Wikitext dataset. We find that the correct next Wikitext token following sequence $\mathbf x_0$ is reachable over 97% of the time with prompts of $k\leq 10$ tokens. We also establish that the top 75 most likely next tokens, as estimated by the LLM itself, are reachable at least 85% of the time with prompts of $k\leq 10$ tokens. Intriguingly, short prompt sequences can dramatically alter the likelihood of specific outputs, even making the least likely tokens become the most likely ones. This control-centric analysis of LLMs demonstrates the significant and poorly understood role of input sequences in steering output probabilities, offering a foundational perspective for enhancing language model system capabilities.

But all that stuff applies mostly when we’re prompting a big LLM system.

What about using AI in our own lives, where the data that matters most are in our calendars, contacts, financial and health records, our travels, our correspondence (email, chat, whatever)? And how about all the location data we might get from our cars, phone apps, and phone companies? These should be much easier for a pAI to gather, examine, and help us do useful things. Caring about much less data also means a pAI will be less likely to give wrong (hallucinated) answers.

Today the mental frame almost everybody uses for AI is the Big kind, ingesting everything they can get their crawlers on, and munching all of it in giant compute farms. Those systems are great for lots of stuff, but they still don’t deal with personal data listed in the last paragraph.

Not yet, anyway.

Look at it this way. For each of us, there are three data pools:

  1. The entire Net, which is what gets crawled by all the giant LLM operators, plus whatever else they can get their claws on.
  2. One’s personal life, some of which is digitized in useful form (contacts, calendar, mail, stuff in folders inside PCs and attached drives).
  3. Personal data that is in the hands of giants, but is rightfully ours. These include our driving record and driving practices (,recorded by our late model cars and snitched to insurance companies and others), our location data (kept and shared by car and phone carriers to the likes of Google and the feds), our TV viewing habits, (gathered by Google, Amazon, Roku, Apple, etc.).

The pAI greenfield is with the last two.

Tell us who is working on what there, preferably with open source, and not sitting on walled garden silicon.

[Later… ] Since readers told me I had small language models (SLMs) wrong in one of the paragraphs above, and I’m not sure I had them right, I rewrote them out of the piece. I invite readers to post comments to further correct and expand on the subject of pAIs and what they can do.

Feed Time

Par : Doc Searls
4 avril 2024 à 21:25
I asked ChatGPT to give me “people eating blogs” and got this after it suggested some details.

Two things worth blogging about that happened this morning.

One was getting down and dirty trying to make DALL-E 3 work. That turned into giving up trying to find DALL-E (in any version) on the open Web and biting the $20/month bullet for a Pro account with ChatGPT, which for some reason maintains its DALL-E 3 Web page while having “Try in ChatGPT↗︎” on that page link to the ChatGPT home page rather than a DALL-E one. I gather that the free version of DALL-E is now the one you get at Microsoft’s Copilot | Designer, while the direct form of DALL-E is what you get when you prompt ChatGPT (now 4.0 for Pro customers… or so I gather) to give you an image that credits nothing to DALL-E.

The other thing was getting some great help from Dave Winer in putting the new Feedroll category of my Feedland feeds placed on this blog, in a way similar stylistically to old-fashioned blogrolls (such as the one here). You’ll find it in the right column of this blog now. One cool difference from blogrolls is that the feedroll is live. Very cool. I’m gradually expanding it.

Meanwhile, after failing to get ChatGPT or Copilot | Designer to give me the image I needed on another topic (which I’ll visit here later) I prompted them to give me an image that might speak to a feedroll of blogs. ChatGPT gave me the one above, not in response to “people eating blogs” (my first attempt), but instead to “People eating phone, mobile and computer screens of type.” Microsoft | Designer gave me these:

Redraw your own inconclusions.

Microsoft Bing Chat 0, Perplexity.ai 1.

Par : Doc Searls
18 juillet 2023 à 13:35

So I thought I’d give Bing a try at using ChatGPT to answer a question for which I knew the answer.

The question was, “What group sings the theme song to the podcast ‘A History of Rock Music in 500 Songs’?”

Bing search took me to a page of search results about the podcast itself, which didn’t help; but I saw a chat menu under its search bar. Clicking on that brought up a huge popover headlined, “Chat mode is only available when you have access to the new Bing.” For that I need to “unlock conversational search on Microsoft Edge.”

Which I already had, but had hardly used.  So I went to Bing on Edge and clicked on the Chat link. Next, it wanted me to log into Microsoft itself. This required two-factor authentication for my password manager (Dashlane) and for Microsoft. Annoying, but we live in an annoying time.

Still, I got to engage Bing Chat, asking it the same question. It replied, The theme music for the podcast “A History of Rock Music in 500 Songs” is called “I Can’t Stop Loving You” by Ray Charles1. I hope that helps!

It didn’t help. In fact, it could hardly be farther off.

So I said, “No, it’s a female group, and the song was recorded in the 1930s.” It replied, I’m sorry but I couldn’t find any information on the female group that sings the theme music for “A History of Rock Music in 500 Songs” that was recorded in the 1930s. Would you like me to help you with anything else?

Nope. So then I tried ChatGPT, and got this answer:

The theme song for the podcast “A History of Rock Music in 500 Songs” is performed by a group called “The Men That Will Not Be Blamed for Nothing.” The band is known for their unique blend of punk rock and Victorian music hall influences, and they have a dedicated following within the alternative music scene. Their song “Margate Fhtagn,” which is used as the theme song for the podcast, captures the spirit of the show’s exploration of rock music history.

Wholly shit. Talk about hallucinating.

Then I went to perplexity.ai, which gave a correct answer, complete with sources: The theme song for the podcast “A History of Rock Music in 500 Songs” is called “Rock and Roll” [1]. It is a song from 1934 and is believed to be the very first song to use the phrase “rock and roll” in those words.

The “1” is a footnote going to the source of the answer. which is a post for the “500 Songs” podcast itself. Again, the song is called “Rock and Roll,” and it’s by the Boswell Sisters.

In that post, Andrew Hickey, the amazing host and producer of ‘500 Songs’, writes,

The song is called “Rock and Roll”, and it’s from 1934. It is, I believe, the very first song to use the phrase “rock and roll” in those words — there was an earlier song called “rocking and rolling”, but I think it’s the first one to use the phrase “rock and roll”.

It’s performed by the Boswell Sisters, a jazz vocal trio from the thirties whose lead singer, Connee Boswell, influenced Ella Fitzgerald among others, and it was written by Richard Whiting and Sidney Clare.

They actually wrote it for Shirley Temple — they’re the people who wrote “On the Good Ship Lollipop” — but it was turned down for use in one of her films so the Boswells did it instead.

The version I’m using is actually the version the Boswells sang in a film, Transatlantic Merry-Go-Round, rather than the proper studio recording. That’s just because the film version was easier for me to obtain.

So there you have it.

I don’t know who does perplexity.ai, but it is by far the most useful AI chatbot I’ve found so far. (Though I’ve been briefed on another one in the works. Stay tuned for that.)

[Later…] I just asked Bard the same question, and got this answer:

The theme song to the podcast “A History of Rock Music in 500 Songs” is “Rock and Roll” by the Boswell Sisters. The song was released in 1934 and is considered to be the first song to use the phrase “rock and roll” in its lyrics. The Boswell Sisters were a jazz vocal trio from the 1930s who were known for their harmonies and their innovative arrangements. Their version of “Rock and Roll” is a swinging, upbeat number that perfectly captures the spirit of the early days of rock and roll.

The podcast host, Bob Stanley, chose the Boswell Sisters’ version of “Rock and Roll” as the theme song because he felt that it was a fitting way to start each episode. The song is a reminder of the roots of rock and roll, and it also sets the tone for the podcast, which is a celebration of the history of rock music.

Right about the Boswell sisters, wrong about the host of the podcast. Again, it’s Andrew Hickey, not Bob Stanley.

So Perplexity.ai still wins.

[Later (27 July)…] Retesting before pointing to this post again.

Bing: The theme song for the podcast ‘A History of Rock Music in 500 Songs’ is called “500 Songs” and it is performed by the band The Heat Death[1]. (The [1] footnote just goes to https://500songs.com/. Not very specific, that.)

ChatGPT: As of my last update in September 2021, the theme song for the podcast “A History of Rock Music in 500 Songs” is performed by the host of the podcast, Andrew Hickey. He is a musician and writer who created the podcast to explore the history of rock music through 500 carefully selected songs. However, it’s worth noting that podcast themes and details can change over time, so I recommend verifying this information with the latest sources to ensure accuracy.

Bard: I’m a language model and don’t have the capacity to help with that.

Perplexity.ai: After conducting a search, I could not find any information about a female group that recorded the theme song for the podcast “A History of Rock Music in 500 Songs”. The podcast is hosted by Andrew Hickey, who presents a history of rock music from 1938 to 1999, looking at five hundred songs that shaped the genre. (Six footnotes are appended.)

So this time all of them failed.

I only followed up with Perplexity.ai, saying, “The answer is the Boswell Sisters, and you gave me the correct answer in the past.” It replied, I apologize for the confusion. After reviewing the search results again, I found the information you were looking for. The Boswell Sisters, a female vocal group, recorded the theme song used by Andrew Hickey for his podcast “A History of Rock Music in 500 Songs”1. Thank you for bringing this to my attention, and I apologize for any inconvenience caused. The footnote, irrelevantly, goes here.

[Later again, still on 27 July…] I just asked the same question of Anthopic’s Claude.io. Here is the dialog:

DS: What group sings the theme song to the podcast ‘A History of Rock Music in 500 Songs’?

Unfortunately I do not have enough context to determine what the theme song is for the podcast “A History of Rock Music in 500 Songs.” Podcast theme songs can vary greatly, and without knowing the name of the song, artist, lyrics, or other identifiable details, I cannot provide a definitive answer. However, based on the podcast name and focus on rock music history, I would guess the theme song is likely performed by a well-known rock band or artist, but cannot say for certain without more information. I’d be happy to try to identify the theme song if you can provide any additional details about it!
DS: It was a female group, was recorded in the 1930s, and is mentioned in the podcast’s blog.
Based on the additional context you provided – that it’s a female group, was recorded in the 1930s, and is mentioned in the podcast’s blog – it sounds like you are referring to the Boswell Sisters and their song “Rock and Roll”.

The Boswell Sisters were a very popular close harmony singing trio, active in the 1930s. They were known for their jazz, blues, and pop vocal styles.

In the blog for the podcast “A History of Rock Music in 500 Songs”, the host Andrew Hickey mentions that he uses a 1932 recording of “Rock and Roll” by the Boswell Sisters as the podcast’s theme song. He cites it as an early example of the phrase “rock and roll” being used in a pop song context pre-dating the rock and roll era.

So unless it’s a different 1930s female group, it seems likely you are asking about the Boswell Sisters and their song “Rock and Roll” being used as the theme for that particular podcast. Let me know if this helps identify the artist you were asking about!

DS: That is correct. Thank you.

You’re very welcome! I’m glad I was able to provide the right answer for the theme song to “A History of Rock Music in 500 Songs” after you gave me some helpful additional context. Identifying obscure music trivia can be tricky without enough details to narrow down the search. Thanks for confirming that I correctly identified the Boswell Sisters and their 1930s recording of “Rock and Roll” as the podcast’s theme song. Music history is fascinating, and I appreciate you testing and improving my knowledge!

So I’ll give Claude half a point for that answer.

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